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    Livestreaming team of Journey to the West: Heroes' Gathering, featuring the four master-disciples Photo: Courtesy of the cast team of Journey to the West: Heroes' GatheringAt dusk, in an unassuming grove in Shouguang, East China's Shandong Province, performers dressed as Tang Sanzang (Monk Xuanzang), Sun Wukong (Monkey King) and other characters from the renowned Chinese classic Journey to the West set up a thatched hut and cooked around a bonfire while livestreaming. They were not fighting demons or embarking on a pilgrimage, but chatting, joking and improvising in response to comments from live viewers.
This seemingly makeshift Journey to the West: Heroes' Gathering livestream has gone viral lately, with related videos garnering more than 140 million views and more than 400,000 viewers tuning in simultaneously at its peak on Douyin, the Chinese version of TikTok. Netizens gave it a distinctly contemporary nickname — the "2026 version of Journey to the West." 
Behind the viral success is a format far removed from traditional film and television productions: The livestream does not rely on tightly scripted dialogue.
Gao Guancheng, director of the team, told the Global Times that the team usually prepares only a basic outline before each livestream, leaving about 80 percent of each livestream to improvisation.
"Comments from viewers, trending internet memes, and even unexpected incidents on site can all become the starting point for the next scene," he said. This seemingly spontaneous approach, however, is far from unprepared.
Into daily life
The performers playing the "four pilgrims" all have years of experience portraying characters from Journey to the West. That experience has given them the chemistry needed to pick up and build on one another's cues during livestreams.
"The actor playing Tang Sanzang has years of rich experience imitating the character, the actor playing Sun Wukong has studied monkey opera since childhood, and the actor playing Zhu Bajie has been portraying the character for nearly 20 years," Gao said.
"One look, one movement, or one punchline, we all know who should pick it up and who shouldn't," he added.
That chemistry may be the foundation for bringing the characters to life, but what truly connects this new Journey to the West with contemporary life is the seemingly ordinary daily routine.
Peng Tao, a young viewer in his 20s who works in the internet industry, told the Global Times that when he first came across Journey to the West: Heroes' Gathering, he felt as if he were watching a spin-off of Journey to the West, one in which familiar characters were simply going about their daily lives.
"In the past, we saw them on the pilgrimage and fighting the demons. Now we see them eating together, chatting and working. That contrast really draws me in," he said.
In his view, the relationships among Tang Sanzang and his disciples remain familiar, but placing them in everyday situations gives those relationships a new resonance.
"For example, at work, there may be a relatively domineering boss, someone who always rushes to take responsibility, someone who keeps the atmosphere lively, and someone who doesn't say much but always gets things done in the end. You start to feel that they're no longer mythical figures, but people around you," he said.
That sense of familiarity may be one way for classics to reconnect with younger audiences.
"I don't think they are doing Journey to the West a disservice," Peng said. "The basic personalities of the characters are still there; they've simply been placed in a new setting. If a classic can only be told in the same way it was decades ago, it may actually become increasingly distant from young people."
Finding the right balance between the old and the new is also something the creators of Journey to the West: Heroes' Gathering have been thinking about.
"We are not remaking Journey to the West. By preserving the basic characteristics of the characters while placing them in new everyday settings, we are bringing Journey to the West into the lives of ordinary people," Gao said.
Stories reimagined 

The modern revival of classic traditional classics is by no means limited to Journey to the West.
Classic Chinese texts taught in schools, including Letter to Wife, Pipa Song and The Golden Fishhook, have also been turned into vivid and engaging short videos. One video based on The Golden Fishhook has garnered more than 100 million views. Such adaptations have attracted widespread attention online, according to the Beijing Daily.
These time-honored texts have become part of a generation's collective memory and naturally come with an established audience. Yet with countless classics to draw from, there is no shortage of adaptations that simply capitalize on established IPs or recycle old memes, and not every adaptation wins over audiences. What truly resonates is finding a thoughtful way to bring classics back down to earth, according to the Beijing Daily.
Beijing-based cultural scholar Wang Deyan told the Global Times that the vitality of a classic does not lie simply in repeating it word for word, but in its ability to continually forge new connections with contemporary life, emotions and aesthetics.
"Classics can continue to resonate in new eras because the relationships between their characters, their emotional structures and the values they convey can still connect with people today," he said.
In Wang's view, the popularity of Journey to the West: Heroes' Gathering is essentially a way for young audiences to rediscover a classic through new forms of media: The characters remain the same, but the way audiences view them has changed.
"Short videos, livestreams and online fan creations have lowered the threshold for creative expression, giving classics opportunities to enter more tangible settings of everyday life," he said.
Perhaps classics truly come "alive" in moments like these, when they are no longer simply "old stories" preserved in textbooks and on screens, but enter livestreams, short videos and the everyday lives of young people, gaining new vitality in a new era through each retelling and each new way of being seen.
。    近日，工业和信息化部发布2024年先进制造业集群竞赛胜出名单，共有35个集群上榜，其中3个来自辽宁，分别为大盘绿色石化集群、沈大工业母机集群、沈阳航空集群。加之此前已获此殊荣的沈阳机器人及智能制造产业集群，目前，在已经选出的80个国家级集群中，我省共有4个入围，总数居全国第六位、东北地区首位。         　　近年来，我省积极打造4个万亿级产业基地、22个重点产业集群，有力促进了产业规模快速壮大、产业质效加快提升、科技创新与产业创新深度融合。         　　本次入选的3个先进制造业集群各具特色。其中，大盘绿色石化集群以大连市和盘锦市为主要载体，拥有国内最完整的石化全产业链条，是我国最重要的原油、化工产品加工，进出口贸易和储运以及航运中心。其原油生产能力合计超过2000万吨，居全国前列，是国内同时具备油田、管输俄油、海上进口油等多源头原油加工能力的集群。         　　沈大工业母机集群以沈阳市、大连市为核心，以守护产业安全战略需求为引领，以突破高端数控机床、关键功能部件等“卡脖子”技术为主攻方向。该集群由7位院士领衔，汇聚中国科学院沈阳自动化研究所、金属研究所及中国机械总院等单位的40余位国家级专家，建有高档数控国家工程研究中心等省级以上创新载体60个。         　　沈阳航空集群拥有沈飞、黎明、沈飞民机、中国航发燃机等知名龙头企业以及沈阳航空航天大学等重要研发单位，产品涵盖了航空发动机、燃气轮机、民机大部件、通航和无人机等产品，已构建形成产品种类齐全、供应链体系健全、产业生态完整的航空产业集群。                    责任编辑：李丹。

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Published on:07:32:25