国内我的网站主页 > 我的网站国内 >
摘要:名侦探的守则...

女帝

'I felt like I just started my career again': British Elvis revivalist finds his voice in China_我的网站

秘密花园

A |     

Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
    Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
Elliot James Reay could have copied every other Western act and sung a Taylor Swift cover. Instead, he took 1950s rock'n'roll to a live TV show where autotune is switched off and discovered a version of fame that Britain has forgotten.
Elliot James Reay was traveling in the US, trying to finish a song, when his manager called. There was an invitation to join Singer 2026, a prime-time live music show in China. Reay didn't hesitate. He had traveled the world before he was a full-time musician, but had run out of money before reaching China. "I went everywhere but China," he said while sitting for an interview with the Global Times, sitting in the office of his label in Beijing, from which the Palace Museum can be seen not far away. 
Reay is, in the West, a very 2020s kind of artist. He began posting short covers on short video platform TikTok in 2019; during the UK Covid lockdown, he chose to focus on growing his fan base. He now has millions of followers across platforms, and his debut single notched 10 million views before it was even released. In the British industry, this is both a leg-up and a trap. "You can have all the followers," he says, "but they don't guarantee people will buy tickets."
In China, that equation flipped.
Elliot James Reay sings on stage at a Chinese live show. Photo: Courtesy of UMG
    Elliot James Reay sings on stage Photo: Courtesy of UMG
Nervous again
The Chinese show, Singer 2026 is broadcast completely live, with no pitch correction. For Reay, who had played enough small gigs to feel comfortable in his own skin, it was a shock. "I haven't felt nerves in a long time," he says. "But I've never been in a competition before. To have my singing judged against other people made me really nervous."
He watched Week One's performances from the wings and saw why. "The standard was terrifying," he says. 
But the format, he admits, is something the UK no longer has: a televised singing contest that treats vocal ability as a public event, not a pre-packaged product. "It made me feel like I just started my career again."
Reay's lane is retro. Not as pastiche, but as lineage. He wears the silhouette of Elvis Presley, sings in the grain of 1950s pop, and writes songs that sound like they were cut from a Sun Records demo. He could have sanded it down for Chinese audiences, but he didn't.
"Someone has to start the wave before you can see it," he says. Among the songs he performed were "Unchained Melody" and his original track "I Think They Call This Love," which he co-wrote with his girlfriend. He points out that the Beatles still sit next to Taylor Swift on the radio, and that pop started in the 50s. "It's the foundations of pop," he says.
Learning to feel the words
In the final, Reay performed a bilingual version of the Chinese song "Hou Hui Wu Qi" (The End of the World). It was his first time singing in another language. He spent five days learning the Chinese lyrics, listening to the original on loop.
"There are sounds in Chinese we just don't have in English," he says. "I couldn't hear the difference at first. I'd say it, and Helen (his translator) would say, 'No.' I thought I was saying the same thing." Eventually, he stopped trying to hear it and started trying to feel it. "It became more about how it felt to say it. How I place my tongue in my mouth," he says.
He didn't understand the meaning until day three. "Helen gave me a card with the Chinese characters and the English translation. It's very poetic," he says. The performance received a strong reaction, with it being called an attempt at "cultural fusion." 
He had saved his own original, "I Think They Call This Love," co-written with his girlfriend, for the same final. He had held the song back deliberately. "I knew that any week was my last week," he says, "but I knew that if I made it to the grand final that I had to do it then." He had no idea it would become the last song of the entire show. 
When he finished, he walked straight off stage, took his girlfriend's hand, and the two of them left together, a moment that trended on Chinese social media that night. 
The song is about the exact point they realized they were in love; it was also the first track of his career he fully believed in and pushed into the world. Having her there to watch it live, after weeks of her only seeing performances on a phone in a hotel room, "tied the whole thing in a bow at the end."
A touring musician, not a TikToker 
Reay is open about the tension between his origin story and his ambition. "I don't want to be a TikTok celebrity," he says. "I'm a musician. I want to tour." 
The platform gave him an audience, but it also boxed him in. He remembers friends who wrote incredible songs during lockdown, while he chose to build a fan base. Now, he says, some of those friends have had to stop writing and make TikTok videos instead.
China, he says, gave him permission to be both an online creator and a live performer. Universal Music, his label, didn't push him to chase trends. "They never said, 'Do this, do that,'" he says. "They supported what I wanted to sing, and then they made it the best version they could."
Before Reay, a string of international artists had already found warm receptions and career-shifting opportunities in China. Kazakhstani singer Dimash Kudaibergen, Malaysian star Shila Amzah, US country artist Mickey Guyton, British vocalist Jessie J, and French singer-songwriter Joyce Jonathan all won large Chinese audiences through high-profile television appearances and live performances, each using the platform to open a new chapter in their careers.
He's already planning a return. He wants to bring a tour. He wants to buy the traditional instruments he saw on set and take them home to England. "I'm going to learn how to play them," he says, "and maybe put them into my music."
The advice he'd give other Western artists looking East is to stay loyal to yourself. "Be yourself," he says. "It's very easy to want to change yourself to fit into a market, but at the end of the day, if you stay true to yourself, you'll be happy."
"In the UK, I felt like I needed to do other things to make other people happy," he says. 
"If I hadn't stopped doing that, I wouldn't be sitting here. I wouldn't have done the show. My whole journey would be different," he says.
。    London, Oct 15 (UNI) British Prime Minister Liz Truss is facing a backlash from Conservative MPs after firing her Chancellor and announcing a second U-turn on a major economic policy.

One former Minister told the BBC: "We cannot go on like this indefinitely."

Another Tory MP said the party was in a "state of despair" after the PM's Downing Street news conference.

Truss supporter Christopher Chope said "time will tell" if she had done enough to secure her position, calling those plotting to remove her "hyenas".

Sir Christopher said: "We can't possibly force another Prime Minister out of office, we've just got to calm down and try to give the Prime Minister our support."

In an attempt to end turmoil on the financial markets, Truss sacked her Chancellor and close ally Kwasi Kwarteng, replacing him with former Foreign Secretary Jeremy Hunt. She then reversed a key policy to scrap a planned rise in corporation tax from 19 to 25 per cent.

It is the second major U-turn on September's mini-budget after Truss cancelled her plan to scrap the top rate of income tax earlier this month.

At a brief news conference in Downing Street on Friday, the Prime Minister dismissed calls for her resignation, saying she was determined to see her promises through.

Commenting on the corporation tax U-turn, Sir Christopher added it was "going to be damaging to the prospects for growth" and was "totally inconsistent" with what Truss said during her leadership campaign.

Conservative MP for Coalville, Andrew Bridgen, said he thought there would "be a challenge to Truss in the next few weeks".

Bridgen, who backed Rishi Sunak to be leader, said: "Dissatisfaction is so high in the parliamentary party.

"Removing Kwasi Kwarteng when he implemented the policies she asked him to do won't engender loyalty to her."

Former Conservative leader William Hague meanwhile said her premiership was "hanging by a thread".

Government borrowing costs rose and the pound's value fell after the Prime Minister's latest U-turn.

Some economists warned that the latest developments might not be enough to restore the UK's credibility.

Scotland's First Minister Nicola Sturgeon called for a general election, saying Truss is "unfit to hold the office of Prime Minister".

Privately many Conservative MPs admit they have gone through despondency and into despair over the past 24 hours.

Another MP called Ms Truss's news conference "a mega-disaster". They said: "She will have to resign."

UNI MR。

Current article:http://www.minshixuanhabing.bond/pqfe/07k8w.htm

Published on:16:38:42